Complete worklist (chronological)

The lunar silences, the silent tide lapping… (1973) 11′
flute, clarinet, percussion (4 players), piano, violin
First performance: The Festival Ensemble conducted by the composer, Cardiff Festival of Twentieth Century Music, 9 March 1974

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Hologenesis (1978) 13′
solo clarinet
First performance: David Campbell, Purcell Room, London, 10 April 1980
Commissioned by David Campbell with funds provided by the Arts Council of Great Britain

At Once (1979) 7′
flute (doubling alto flute), oboe (doubling oboe d’amore & cor anglais), vibraphone, piano
First performance: Suoraan conducted by James Clarke, St.Bartholomew’s International Festival of Twentieth Century Music, London, 14 July 1979

Snatches (1979) 6′
flute (doubling piccolo & alto flute), oboe (doubling cor anglais), vibraphone, piano
First performance: Suoraan conducted by James Clarke, St.John’s Smith Square, London, 17 January 1980

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Skhistos (1980) 7′
flute, oboe, vibraphone, piano
First performance: Suoraan, Purcell Room, London, 20 April 1980

The Juniper Tree (1981) 23′
Shadow puppet theatre (or animated film) and ensemble
flute (doubling piccolo & alto flute), oboe (doubling oboe d’amore & cor anglais), mezzo soprano voice, congas, piano
First performance: Barry Smith’s Theatre of Puppets and Suoraan, Dartington Summer School of Music, 6 August 1981
Commissioned by Dartington Summer School of Music

Helter-Skelter (1981) 13′
flute, vibraphone, piano
First performance: Suoraan conducted by the composer, ‘Alive and Composing’, Guildhall School of Music and Drama, London, 4 October 1981

Cut/Dissolve (1984) 10′
solo percussion
First performance: Elizabeth Davis, British Music Information Centre, London, 31 May 1984
Commissioned by Elizabeth Davis with funds provided by the Arts Council of Great Britain

…from swerve of shore to bend of bay… (1984-85) 12′
alto flute (doubling piccolo), bass clarinet (doubling e-flat clarinet), percussion, piano, viola, cello
First performance: The Fires of London conducted by Howard Williams, Queen Elizabeth Hall, London, 18 February 1985
Commissioned by The Fires of London with funds provided by the Arts Council of Great Britain

Flow Form (1986-87) 8′
solo piano
First performance: Robert Keeley, British Music Information Centre, London, 29 January 1987

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Tidal Volume I (1989) 6′
solo harpsichord
First performance: Jane Chapman, Michael Tippett Centre, Bath College of Higher Education, 22 November 1989

finnissys fifty (1996) 1′
solo piano
First performance: Ian Pace, British Music Information Centre, London, 11 July 1996

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Little Sunderings (1996) 6′
solo piano
First performance: Kate Ryder, University of Durham, 6 November 1997
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for piano 1 (1997) 11′
solo piano
First performance: Andrei Tanasescu, ISCM World Music Days, Bucharest, 2 October 1999

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for piano 2 (1997) 7′
solo piano

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for piano 3 (1997) 2’30”
solo piano

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for piano 4 (1997) 5′
solo piano
First performance of nos. 2, 3 & 4: Ian Pace, King’s College London, 8 February 1999

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for piano 5 (1998) 11′
solo piano
First performance: Mary Dullea, St. Cyprian’s Church, London, 8 May 2003
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for guitar 1 (1998) 6′
solo guitar
First performance: Alan Thomas, The Warehouse, London, 9 March 1999

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for piano 6 (1999) 7′
solo piano
First performance: Ian Pace, Dublin City Gallery (The Hugh Lane), 23 November 2003

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for piano 7 (1999) 7′
solo piano
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for piano 8 (1999) 5′
solo piano
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for piano 9 (1999) 9′
solo piano
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for piano 10 (1999) 6’30”
solo piano
First performance: Ian Pace, British Music Information Centre, London, 13 January 2000

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for piano 11 (1999) 2’30”
solo piano
First performance: Isabel Ettenauer, London College of Music and Media, 30 March 2000
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for piano 12 (1999) 6′
solo piano
First performance of nos. 7, 8, 9 & 12: Kentaro Noda, Creole, Kobe, Japan, 28 December 2003

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invention 1 on the name james dillon (2001) 2′
two vibraphones
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invention 2 on the name james dillon (2001) 2′
solo vibraphone
First performance: The Warehouse, London, 4 October 2001
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Still/s 1 (2002) 8’30”
solo cello
First performance: Anton Lukoszevieze, De La Warr Pavilion, Bexhill, 6 July 2002
Commissioned by the De La Warr Pavilion, Bexhill for the Colour White exhibition


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Still/s 22 (2002) 7′
clarinet and piano
First performance: Libra Ensemble, St. Cyprian’s Church, London, 14 February 2003
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Still/s 14 (2003) 8′
solo violin
First performance: Darragh Morgan, Bush Hall, London, 26 June 2003
Commissioned by Darragh Morgan with funds provided by the RVW Trust

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for piano 13 (2000-03) 42′
solo piano
First performance: Philip Thomas, Firth Hall, Sheffield, 11 November 2003
Commissioned by Philip Thomas with funds from Arts Council England

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Still/s 2 (2004) 8′
clarinet and cello
First performance: Apartment House, Church of St Anne & St Agnes, London, 2 July 2008

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for piano 14 (2004) 16′
solo piano
First performance: Jonathan Powell, Bush Hall, London, 24 October 2004

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Still/s 10 (2004) 9′
flute and piano
First performance: Libra Ensemble, St. Giles’ Cripplegate, London, 28 March 2005

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Still/s 3 (2004) 7′
violin and cello
First performance: Apartment House, Church of St Anne & St Agnes, London, 2 July 2008

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Piano with violin (2005) 9′
violin and piano
First performance: Darragh Morgan and Mary Dullea, King’s College London, 4 July 2005

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for piano 15 (2005) 40′
solo piano
First performance: Jonathan Powell, The Warehouse, London, 18 December 2006

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Tidal Volume III (2006) 6′
mandolin and guitar
First performance: Duo Ahlert & Schwab, Bad Herzburg, 30 March 2008
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Still/s 4 (2008) 12′
flute and clarinet
First performance: Apartment House, Church of St Anne & St Agnes, London, 2 July 2008
Commissioned by Music We’d Like To Hear with funds provided by The Britten-Pears Foundation

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Still/s 5 (2008) 8′
piccolo, clarinet in E flat and piano
First performance: Apartment House, Church of St Anne & St Agnes, London, 2 July 2008
Commissioned by Music We’d Like To Hear

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Still/s 6 (2008) 7′
flute, violin and piano
First performance: Apartment House, Church of St Anne & St Agnes, London, 2 July 2008
Commissioned by Music We’d Like To Hear

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Still/s 24 (2010) 8′
clarinet and violin
First performance: Ian Mitchell and Angharad Davies, The Nunnery, London, 6 May 2010
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Cast 2 (2011) 16′
bass clarinet, cello and tape
First performance: Ian Mitchell and Anton Lukoszevieze, The Nunnery, 2 November 2011

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Still/s 7 (2011) 8′
solo clarinet
First performance: Andrew Sparling, Falmouth University, 17 November 2011
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Strange Attractor (2015) 16′
orchestra
3 Fl/Picc, 3 Ob, 3 Cl (II/III=Eb.cl & Bcl), 3 Bsn (III=Cbsn), 4 Hn, 3 Tpt, 3 Tbn, Tba, Perc (2 players), 26 Vln, 10 Vla, 8 Vc, 6 Db
First performance: BBC Scottish Symphony Orchestra conducted by Ilan Volkov, City Halls Glasgow, 7 May 2016
Commissioned by the BBC
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